Homai Vyarawalla: The Unintended Path to Becoming India’s Iconic Female Photojournalist

By Melita Clarice

09 NOV 2024

"I hadn’t the slightest clue I would be a photographer. I wanted to be a doctor but that was the only time in my life that my mother refused to let me do something. She had seen doctors on late-night shifts and didn’t want me in a profession like that. Little did she realize that press photography would be far worse!"– Homai Vyarawalla

Homai Vyarawalla with her Speedgraphix Camera

When Hamai Vyarawalla spoke those words, she laid bare the irony of her journey. Her mother, cautious about the demands of the medical career, steered her away from late night shifts and grueling hours. Little did she knew that Homai's future in Photojournalism would be equally relentless- if not more so. Yet, Homai took to it with a rare resilience, an unwavering resolve that would see her become India’s first female photojournalist. Her path was not planned, and in a profession dominated by men, it was even less expected.


Homai’s journey from a young girl with no particular inclination for photography to one of the country’s most celebrated photographers is not just about breaking gender norms. It’s a story of a woman who found herself in a place and time where history was unfolding at every turn and she didn’t look away. Her camera became a powerful storyteller, recording India’s most pivotal moments, not as a passive observer but with a curiosity and empathy that brought these moments to life.


Born in 1913 in Navsari, Gujarat, Vyarawalla moved to Bombay(Mumbai) to study at Sir J.J. School of Art, where she was first introduced to the camera. Photography was, at the time, an unconventional career for women, but she felt drawn to the possibilities the camera offered for capturing stories and emotions. This interest soon became her profession as she began contributing to The Illustrated Weekly of India, one of the country’s most prominent publications.


Vyarawalla’s images soon became synonymous with India's independence movement. Her camera captured not just the historical milestones but also the intimate, human moments that characterized India’s fight for freedom. One of her most famous images is of Jawaharlal Nehru releasing a pigeon at the first Republic Day celebrations. Her portraits of Mahatma Gandhi, Lord Mountbatten, and other prominent leaders were celebrated for their ability to capture moments of quiet strength and introspection.


The challenges Homai faced in her career were monumental. In the 1930s and 1940s, press photography was strictly a man’s world. As the lone woman behind the camera in many assignments, she often encountered skepticism and had to push through layers of resistance. Carrying cumbersome equipment, elbowing her way through packed crowds, and capturing just the right moment—all of this required not only talent but incredible stamina.



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Left: Pandit Jawaharlal Nehru releasing a dove, sign of peace at a public function at the National Stadium in New Delhi.1950. Right: Jawaharlal Nehru with Louis and Edwina Mountbatten

Homai would later reflect on the irony of her mother’s concerns about medical field's late-night shifts, laughing at how they hardly compared to the chaotic demands of press photography. The unpredictability of it all—from unpredictable schedules to the physical toll—was something few anticipated. But for Homai, the profession’s rigors became a part of her identity, challenges she met with both humor and grit.


Her work was a historical record of a nation’s evolution. From the excitement of independence to the early days of India’s governance, her photos documented a country finding its identity. Her meticulous eye brought forth the essence of the subjects she photographed, whether it was the authority of Sardar Patel, the elegance of Indira Gandhi, or the solemnity of Gandhi.


In 1970, after a career spanning over three decades, Vyarawalla retired from photography, retreating from the public eye. Her legacy, however, endured, and in 2011, she was honored with the Padma Vibhushan, India’s second-highest civilian award.


Homai Vyarawalla’s life shows just how far persistence and an open heart can take you, often into places you’d never imagine. What began as a simple curiosity became a pioneering career, putting her in the midst of India’s most historic events. Her story, much like the images she captured, reveals the strength of a woman who pushed through every barrier to document a nation’s journey. With every shot, Homai offered India a view of itself in its most honest and defining moments.